The European Film Masters

Applications for Kino Eyes are closed.

KEM IS AN ORIGINAL STUDY PROGRAMME THAT SEEKS TO PROMOTE NEW TEACHING AND LEARNING OPPORTUNITIES FOR LEARNERS AND TEACHERS IN THE AREAS OF FICTION FILM MAKING AND CREATIVITY STUDIES. THIS TWO YEAR MA PROGRAMME IS A HIGHLY INTENSIVE FICTION FILM MAKING MASTERS DEGREE SUPPORTED BY ERASMUS+.

Universidade Lusófona de Humanidades e Tecnologias

THE MA IS SPLIT BETWEEN FOUR DIFFERENT FILM SCHOOLS IN FOUR DIFFERENT EUROPEAN STATES: LUSÓFONA UNIVERSITY IN LISBON, PORTUGAL, SCREEN ACADEMY SCOTLAND IN EDINBURGH/ NAPIER UNIVERSITY, UK, Baltic Film, Media and Arts School IN TALLINN, ESTONIA and IADT DUN LAOGHAIRE, DUBLIN, IRELAND

September	all students at ULHT, Lisbon	Start of Semester 1
January	directors, producers, screenwriters at Napier University	Start of Semester 2
January	Cinematographers, sound designers, editors at BFM	Start of Semester 2
May/June	all students at BFM	Summer School
September /June	teams in all schools	Start of Semester 3 & 4
June	all students at BFM	Graduation

Kino Eyes was a catalyst for my professional life by providing the guidance and the necessary tools to refine my practice, to be prepared and confident to work in an international setting and to acquire the knowledge necessary to become a strong collaborator in the filmmaking process.

Israel Bañuelos Loreto
Kino Eyes was fundamental to my professional growth. Before the course, working in film was something extra I did whilst working another job, chasing low- paid gigs to get my foot on the ladder and improve my portfolio.

Matt Part
Yes, my graduations films from Kino Eyes helped me to get an internship after graduating and I learned a lot also during the time of making the films.

Ahmed Abdelrazek
KinoEyes played a major role in my professional and academic role in the sense that currently I have some knowledge of the professional process a TV show goes through before production starts.

Fiona Ansah
Personally, it also expanded my critical sense, vocabulary, the level of discussion, writing skills, repertoire, among other things.

Isabella Giordano
I've learned many professional techniques, gained a lot of experience and developed proficiency in applying realistic and imaginative solutions to technical issues in film-making and maintaining the integrity of films of all genres, optimizing sound quality, capitalizing on equipment capabilities, and making high-impact, behind-the-scenes contributions.

Nenad Stefanoski
It was an important experience for sure. I wouldn't say that professional and academic growth is the main "point of impact" for me. It is primarily in terms of my personal development, and through that professional development.

Nicola Vucinic
Yes, very important. In two years I became a professional who can produce a project in a country I arrived just a month before.

Nare Ter-Gabrielyan
KEM was important for my professional growth, allowing me a professional environment to more closely explore film production with the guidance of working professionals in the industry.

Clare Fogerty
The Kino eyes program was integral in my development as a professional. From re-learning the discipline on set from various different perspectives and getting acquainted with the European workflows to learning the intricacies of post production, it has been one of the most insightful experiences and certainly an enormous boost in my self confidence.

Shehryar Khan