| KEM I thesis |
|---|
| Name | Title |
|---|
| Adelaida Pardo |
"Creating Night with light: The aesthetical problem of night scenes exposed" |
| Ai-Lun Huang |
"An Analysis of Sex Scenes in Shame, Gone Girl and The Diary of a Teenage Girl" |
| Ahmed Abdelrazek |
"TIME - A mysterious process in the cinematic incidence" |
| Bojana Babic |
"Searching for Liberated Sexuality - The “Girl” in Dušan Makavejev’s W.R. Mysteries of the Organism and Maja Miloš’ Clip" |
| Clare Fogerty |
"Production Practices Exercised in the Making of Wild Game: A Technical Report" |
| Dagmara Kucinska |
"Cinematic aesthetics and narrative elements in videogames. How video games use film language to enhance their cinematic experience." |
| Dean Radovanovic |
"A quest for PATAPHORS" |
| Eduardo Cardoso |
"Scriptwriting from historical documents - Research methods in the making of 40 - Clash of Futures" |
| Francesco Crivaro |
"How to write a film with a movie camera. The camera calligraphy in Roof Knocking." |
| Farid Salamé |
"Genre Conventions vs Register - Techincal Report" |
| Ilija Cvetkovski |
Features of sound dramaturgy in horror movies |
| Indrek Soe |
"Blurring the line between sound design and music" |
| Ingemar Martinez |
"How Alice´s Adventures in Wonderland influenced IMPROMPTU. The storytelling of Impromptu, from the rabbit hole." |
| Jeronimo Sarmiento |
"Cinematic polyphony in Lucrecia Martel’s Cinema. The musicality of narrative film in ‘The Headless Woman’" |
| Krish Makhija |
"FEELING IN COLOUR: Creating the ‘Spin-Off’ Universe and understanding how green has evolved as a dramatic tool in narrative story telling." |
| Lucas Abrahão |
THE AFFECTS OF GUILT. Emotion and Ideology in José Padilha’s Tropa de Elite |
| Madlen Sieghartsleitner |
"Aspects of Elliptical Editing" |
| Richard Tettey |
“Between Reality and Fiction: a sound production approach on the film “Spin-Off".” |
| Saeid Behbahaninia |
"Tripping on The Holy Mountain: How The Holy Mountain Resembles Psychedelic Experience" |
| Sergio Cavazos |
"The uncertainty war: Applying entrepreneurial practices to micro-budgeting for short films: “Roof Knocking” technical report." |
| Sergio Malpica |
"The creation of multiple planes of reality. Magical realism Devices in Julio Medem’s Caótica Ana" |
| Sina Salimi |
"Last Stop: Self-Orientalism. Jafar Panahi’s Taxi Tehran And Its Representation of Iran" |
| Tiago Carvalheiro |
"Stranger, Therefore Tallinn.Technical Report on HEL-TLL-HEL" |
| Veli Rajassar |
"High concept vs. Low-budget - making an ambitious film with less than ambitious funding" |
| Yasir Kareem |
"Voice-Over as a Narrative Style in Terrence Malick’s Knight of Cups" |
| KEM II Thesis |
|---|
| Name | Title |
|---|
| Ana Victoria Falcon Araujo |
"Digital marketing strategies for next-generation film distribution" |
| Andrijana Krcmar |
"Creation and Destruction of Perception: Radical discontinuity montage as a tool for creating perceptual distortions between representations of fantasy and realism" |
| Cheng-Han Lin |
"LEARNING TO LET GO: Creating the visual world of ‘Mylissa’" |
| Doris Tääker |
"Directing one-shot films: the constant challenge of the lack of editing" |
| Gwenn Joyaux |
"The Hero’s journey for female characters women in Lucía Puenzo’s cinema" |
| Haendel Gabriel Guerrero Solis |
"How mixing supports emotional states n Coen brothers’ films" |
| Israel Bañuelos Loreto |
"Rhizomatic Sound Design" |
| Lkhagvadulam Purev-Ochir |
"Albert Serra’s the Death of Louis XIV (2016) According to Deleuze’s: Concept of affection-image" |
| Marie-Luise Scharf |
"WORLDBUILDING - Creating a Believable Story World for the Female-Only Community of Andros" |
| Merja Riitta Maijanen |
"Alfred Hitchcock's Use of visual symbols in vertigo" |
| Nenad Stefanoski |
"Unnatural Naturalness: A sound design semiotic approach into the inner feelings of the characters in a film" |
| Shruti Sidhan |
"The role of locations in a film: From narrative to production value” Technical report on the film “TOMORROW ISLAND" |
| Tom Butcher Cury |
"Screenwriters Are Writers: The Study of Poetics as an Enabler of Creativity" |
| Tshering Lham Thaye |
"THE BHUTANESE PICTURE: Analysing and developing a strategic picture of the Bhutanese Film Industry" |
| Vishal Vittal |
"The role of visual softness and sharpness in the design of a cinematic narrative" |
| KEM III Thesis |
|---|
| Name | Title |
|---|
| Anastasiya Maksymchuk |
"The cinematic World of Werner Herzog: Between documentary and fiction" |
| Andrés Enrique Losada Diaz |
"The Psychological stretch of Character in Gus Van Sant's Paranoid Park" |
| Cassiana Maranha |
"JOÃO CANIJO’S METHOD - THE WORK WITH ACTORS ON THE SHORT FILM "ACCEPTANCE"" |
| Fouad Halwani |
"The Trickster in serialized television- an anti-hero of postmodern mythologies" |
| Hisham Sharafeddine |
"Production Sound Techniques in One-Shot/Long-take Films" |
| Jacopo Meneghin |
"Painterly vision in Stanley Kubrick’s Barry Lyndon" |
| Jinling Wu |
"An Authorial Study of Milos Forman’s Czech Films" |
| Larissa Barbosa Curi |
"Expanding horror - The guidelines of Horror Screenwriting applied to crafting an original script" |
| Luka Ožegović |
"Phenomenologgy of selective omission of sound in film - How removing sounds affects the subjective perception of the viewer of films" |
| Maíra Scherer Correia de Araujo |
"Contemporary narrative: cultures and the influence of antiplot - An approach to Maniac (2018)" |
| Mariana Nunes Gomes |
"Framing as narrative device in Lucrecia Martel’s “The Holy Girl”" |
| Md Sarower Reza Jimi |
"Muslim characters in cinema after 9/11 as a tool of social critique: Study of characters in Mostofa Sarwar Farooki’s films that practice Islam as religion." |
| Nare Ter-Gabrielyan |
"Pictorial elements of composition: Mosaic of perspectives towards frontality in Sergei Parajanov's "The colour of Pomegranates"" |
| Noorahaya Lahtee |
"Expanding time and space: an analysis of the cinematic vision in selected films of Apichatpong Weerasethakul’s " |
| Sai Krishna Koppolu |
"Changing the protagonist of a film on the edit - "Bruxa" a technincal report" |
| Sina Saral |
"Bruxa Pre-production journal – technical report " |
| Sivasudhan Balamanohar |
"The role of a Cinematographer in a Student Film "Aceitação" - A Technical Report" |
| Tijana Todorovic |
"The use of genre film elements In Jovan Jovanovic’s fiction films" |
| Vita Tae Zorat |
"Visualizing atmospheres: a technical report on the cinematographic world of "Bruxa"" |
